Friday, 22 March 2013

Recommended Artist: Francoise Nielly

  Francoise Nielly. A slightly odd spelling variant of both names, but still. Her art is really expressive with her employing bold colors and using what she calls a "palette knife" technique. She paints portraits, and paints them in high chroma.

  She was born in Marseille, brought up near Cannes and Saint-Tropez and is now living in Paris. She was taught by what she says to be a strict father who didn't allow any mistakes. This taught her the discipline and technical skill that she has today.







  Her website is beautifully designed. I am in love. See it via this link:
http://www.francoise-nielly.com/

Thursday, 21 March 2013

Prismacolors in Singapore: Art Mark

  Update: I currently DO NOT stand by the quality of customer service that Art Mark provides as I've received e-mails from people whom have visited the shop and have had a bad experience with them. Read my post alternative places to purchase Prismacolors here.

  So, you're looking for places in Singapore that sell Prismacolor colored pencils. The short answer is, Art Mark...

  They stock all sorts of Prismacolor sets; Verithin, Premier sets of 12, 24, 48, 72, 132, and even the latest set of 150. I even saw a set of 23 colors  Isn't that an odd number? They also stock NuPastels, colorless blenders, and open stocked Premiers, Verithin, Col-erase pencils, mixed media sets, and even Prismacolor markers. What I'm saying is that Art Mart is pretty much the go-to store for Prismacolor products.

  What really excites me, though, is that they do have a small number of US made Premier pencils in open stock. I bought a "Ginger Root" for SGD $2.80. Slightly pricey- I thought they went at a dollar plus. But worth it for the quality assurance. Not all colors are made in the US of A though. I tried to get an "Orange" from the US batch but alas, they were out. You have to look out for the USA or MEXICO stamp on each pencils. An easy way to tell which is which is by the color of the printed words on the pencils. Gold lettering are US made pencils, the silver letterings are from the Mexico batch. I also think that they have a different pricing system for the different batches.

  One of the things I do not like about their store is that prices are not stated. They have a pricing book from which they scan the prices from. So if you want to know the price of something, you'll just have to ask.

NuPastels

Open stock Premiers

Verithin, Col-Erase

Look out for the "USA" embossed on the end of each pencil.

Side by side comparison of "Ginger Root".
Top, Mexico made- silver lettering. Bottom, USA made- gold lettering.


  They're located at #04-35, Bras Basah Complex, Blk 231, Bain Street, Singapore 180231. Give them a ring at (65) - 6338 0820. Or visit their website; http://www.artmark.com.sg/

  Please note; I am not affiliated with Art Mark in any ways, and I do not receive any commission from any sales, nor are they paying me to write about them on this blog. I just want to get this information out to the public.

  If you'd like to see a list of stores to get your art materials in Singapore, click here.

  If you have any questions, write to me at < stephanie_jennifer@ymail.com > and I'll try my best to help you.

  I hope you found this post helpful and would love to hear from you in the comment section below. :)

Wednesday, 20 March 2013

Pencil-Pen Wrap (SOLD)

[SOLD!]
  As promised, I now have a pencil (or pen, if you like) wrap on sale now. My mum made it with love and I hope it'll find a good owner soon. It is 31cm by 24cm (12.2" by 9.5") when opened, and 31cm by 15cm (12.2" by 5.9") when the flap is closed. Fallow coloured exterior with white interior.  You can comfortably fit 20 pens or pencils in the wrap- perfect to take art materials out to draw en plein air.


[SOLD]
SGD $12.90 
(does not include postage fees)

If you're interested in purchasing a pencil wrap like the one above, I can be contacted via stephanie_jennifer@ymail.com

Tuesday, 19 March 2013

Lightfastness: Is It Really That Important?

  I wrote a couple of days ago about the Derwent Studio coloured pencils, (as seen here) and the whole incident lead me to find out more about lightfastness. From what I gathered, a company called "ASTM" is in charge of setting standards to do tests on products, that includes artist's materials.

  The lightfastness system is calculated by doing colour swatches on acid free paper, then exposing that paper to direct sunlight for about three months. That's over hundreds of hours of direct UV light. The lightfast ratings are then determined by which colour is still left standing after all those hours in sunlight.  There are different ways to rank them, one is the blue wool scale method. The lightfast scale usually goes from 1 through to 8. 8, being "here's a gold star for you, you're one hulk of a colour". 1, being "kill it! kill it with fire! don't let it near your paper or it'll ruin your art work!"  .... Or something along those lines.

  Now, try to let that sink in for a moment. Hundreds of hours in direct sunlight. I sat there wondering; which artist who has spent countless hours on a painting would just leave their art work in direct sunlight. Well, what about an art collector? If you give someone an art work, I'll like to think that they would take care of it. If the product is paid for, then there's no question that the buyer would take good care of it.

  So is the hundreds of hours in direct sunlight justified? Are we just being paranoid? Is it a way for companies to make some extra bucks from artists? "My naples yellow has a better lightfast rating than any other in the market." Sounds like a good promotional slogan to me.

  And, if a colour can stand up to hundreds upon hundreds of hours in direct sunlight, I started to wonder... what is in the paints/pigments to make it such a hulk colour? Is it dangerous to us humans? When humans stand a couple of hours in the sun, we het sunburnt. Indeed we are quite weak when pit against Mother Nature. Shouldn't colours, to a certain degree, be like that too?

  Pigments are made from natural materials, with more synthetic and stable colours being added to the market and replacing fugitive colours each year. I'm all for more stability, replacement of fugitive colours, and the addition of new colours. But do we really know what goes into the tubes, sticks, and leads that we buy?

  Is lightfastness really that important? If we are not going to put our paintings into direct sunlight for countless of hours, is it alright for an artist to use student grade materials to create Art? I think that's a personal question. One artist said, if it's to just experiment, that's fine. But if you wanted to sell it, you'd have to use artist grade materials.  Another said that he has been using student grade materials from the very start of his career. He liked the consistency he could get with the student grade acrylics, and never had any complains from clients. He said he used what worked best for him, and that was that. Maybe it's what they add to the colours to make them lightfast that made the artist grade colours more sticky...

  Has "artist grade" become sort of a stamp of worthiness that represent one has become a "real artist"? You're only as good as the tools you use, goes the age-old saying. But, if an artist really is that great, the materials he uses shouldn't be a problem. I've seen my father use a $2 box of 12 oil pastels for a self portrait. It was really expressive, and he had no problem using something so cheap as a medium. I guess it all boils down to personal choice. What works, what doesn't, what materials you would or would not use. And like all other things, the importance of lightfastness is up to an artist to decide.

  What do you think? Is lightfastness really that important? Would you use a colour that has a lightfast rating of 3 or 4– or do you only use materials with a rating of 5 and up? Leave me your answers in the comment section below.

Monday, 18 March 2013

Copyright Laws

  With the introduction of the world wide web expanded what people could view. You can now search whatever you want in an instant. Pictures, videos, comments, essays, how-tos– all brought to you in less than a second. With that, however, came the headache of copyright laws.

  Don't get me wrong, copyright laws existed long before the internet did, but with the internet, it became much more difficult to have control over your ideas, creative products, and art works. I search the internet a lot. I do something called "site-hopping". I search for one thing on google, click on the first few links, then from those pages I go to other sites. That's how I get to know more artists. Somedays, I come across lots of brilliant art works, other days I'm not really inspired.

  Just yesterday, as I was site-hopping, I found out two artists saying that they've had people steal their art.  The first was a pencil artist. Someone had stolen her identity and was selling unlicensed prints of her work. The other was a photographer and complained that artists were using her photographs as reference for the drawings. They were both very upset.

  But it's the internet. You don't have 100% control over who does what with your work. If you put it up online, it's fair game, right? WRONG.

  Copyright laws cover lots of things, that includes photographs. You can't just be like, "You know what? I'm going to draw a horse today." and go online, find a picture of a horse and draw it. You could draw it for practice, sure. But you should not sell it. You might get sued if the photographer finds out that you drew using their photo.

  But sometimes, we just want an easy way out. Why set up your own still life to draw from when you have this beautiful still life photo found on Google right in front of you? Well, artists take time to finish their works of Art. Photographers are artists too. How would you feel if someone drew an identical painting of one of your art pieces. I'll be flattered, sure. But it's my art piece. I took time to compose it, to pick a colour palette for it, to decide how I was going to execute it.

   Can I make a painting from a photograph? Short answer, no. Not 100% of it. If you used less than 10%, then you'll be alright. (Say, for example, you used the hand of a picture of a model.) The photographer still owns the rights of his photograph.

  For an excellent overview of how copyright works for artists, follow this link:
http://www.rightsforartists.com/copyright.html


  It's not really worth it if you pour your heart and soul into a drawing/painting then having the owner of the photograph you drew from sue you for copyright infringement. There are many resources of free images that artists can use legally. For a list of them, click this link:
http://everythingis-art.blogspot.sg/2013/03/reference-for-artists-master-list.html

Sunday, 17 March 2013

Small Updates to everythingis-art

  I've made small updates to the site, but first, some exciting news.

  I was contacted by the Singapore Memory Project to add my blog to their site. They left a comment on my blog saying;

Dear Sir/Madam, 
On behalf of the National Library Board (NLB), we would like to invite you to pledge your blog to the Singapore Memory Project as part of efforts to collect memories that are already manifested in existing online channels. 
The Singapore Memory Project (SMP) is a national initiative to collect, preserve and provide access to Singapore’s knowledge materials. Spearheaded by NLB, the SMP aims to build a national collection of content in diverse formats (including print, audio and video), to preserve them in digital form, and make them available for discovery and research. 
By pledging your blog to SMP, you are affirming that every memory matters. Whether your posts are an account of your daily life, or an expression of your thoughts, the SMP hopes to find a home for your memories so that it can help build towards an understanding of Singapore. You will also receive a badge that you can display on your blog in recognition of your contributions.
Contributors to this blog pledging initiative will be listed on Singapore Memory portal’s blog pledging webpage. All blogs pledged to SMP will archived using NLB’s web harvesting software, in addition to images of each blog’s landing page.  
If you are keen to pledge your blog to SMP, simply fill up our response form at this following URL: http://singaporememory.simulation.com.sg/Public/Pledge. 
You may find out more about this initiative at http://www.iremember.sg/?page_id=2822.
We are looking forward to your contribution. 
Simulation Software & Technology (S2T) Pte Ltd 583 Orchard Road #14-02 Forum The Shopping Mall S(238884), Singapore |w: www.simulation.com.sg 
  I'm honoured to be chosen by them and of course accepted the offer.



Now, for the updates...

  I've changed the tabs above. (The red bar up there. ^^^)

  "My Pages" hasn't changed much. I'm hoping to do reviews on more art books, art magazines, sketchbooks, pens, pencils, coloured pencils, and other art materials in the future, so that's where you'll find an overview of all those.

  In the past, if you clicked the "Recommended Artist" and "Painting of the Day" you'd be brought to a list. Now, they're linked to their respective labels so you can just scroll through everything to find something you like. That's the major change. I'm hoping it'll be easier for you, Dear Reader, to find something that inspires you that way.

  If you'd like to see the lists of all the artists that I've featured, click on "The List" tab.

  The "Contact Me" tab contains my e-mail, but I've also added my Tumblr urls, and my website address.


  I've also gone through all the posts on this blog. I've gone through where all the links go to. Fixed all the dead links. Updated the labels on every posts. Re-uploaded photos that would not load previously. Increased the sizes of all pictures for easier viewing. Added more information to the links that give me the most traffic. And pretty much made everything easier for you, Dear Reader to view this blog.


  I've many plans for the site. My father is currently working on a large painting and I'm planning to do a blow-by-blow blog post of his process from start to finish. I've managed to convince my mother to bank in on her sewing talents and sew some bags, pouches, and pencil wraps for artists to be sold on this blog. Really excited for that. And I'm hoping to do more review on books and art materials. I'm also going to be building my portfolio so you'll be seeing more of my works on here. Some tutorials, perhaps?

  It's going to be a busy, busy year. :) I'm really hyped up, especially after representatives for the Singapore Memory Project contacted me. I hope you come back to visit often. And as always, leave me a comment in the comment section below. I'd love to hear what you think about this blog.

  P.S. I did purposely make all my sites have an accent of red.

Saturday, 16 March 2013

101 Websites for Artists: The Master List

  This is not a 100% inclusive list. I will be updating this list frequently as I find more and more websites that I can include. My hopes are that this list will become the ultimate reference list for artists while still being easy to navigate. *fingers crossed* I hope I do a good job. Do check back once in a while, and don't forget to bookmark this page for future reference.

  In an attempt to keep the list streamline, I will list what all the links link to with a header, but will not include description of each link. I trust that you, dear reader, are intelligent enough to figure out how to navigate each site. I aim to keep the list valuable to all types of artists, so do click on every link to see where it leads to.

[Related: Prices of Art Materials in Singapore]

  If you know of a better way to list everything, or if you have a link you think worthy of adding to the list, I wouldn't mind hearing about it via stephanie_jennifer@ymail.com or in the comments section below. Anonymous commenting is enabled.

Free Image References:

Online Image Editor:
http://www.picmonkey.com/



Frequently Asked Questions (FAQs) on Different Mediums:
Acrylics
Colored Pencils
Drawing and Sketching
Pen and Ink
Watercolor

Tutorials:
Palette Picker:

Fun Online Sketching Softwares:

Tumblr Sphere:


I hope you've found this page valuable, and would love to hear from you if you have a link (or links) to add to this page. Again, you can reach me at: < stephanie_jennifer@ymail.com >

Last updated: 19th Oct. 2017

Friday, 15 March 2013

Recommended Artist: Jean Tuttle

   Check out "Daily Cat Doodles". Why should you? Because cats, that's why.

  Jean received her BFA in Illustration from Parsons School of Design, and after, based her studio in Manhattan for the next dozen years. By the mid-1980s she'd developed a high-impact, graphic scratchboard style, and had begun working with clients such as Newsweek, Business Week, The Boston Globe, Rolling Stone, and the New York Times. She also began a long and fruitful relationship with Reactor Art & Design, who served as her agent for the next 15 years. 





I think the artist has a splendid grasp of how cats behave and move. The colours used are harmonious and work well with the particular cat that she is drawing. If you'd like to see her main website, visit this link: http://www.jeantuttle.com/index.html

Thursday, 14 March 2013

Stephanie's Sketches

Yes, I just referred to myself in third person. I've been trying to at least keep the pen (coloured pencils, pencils, brush, whatever) in motion every day. So I've started to keep a sketchbook. It's a $12 plus one, bought at Art Friend. A5 size. But I'm not doing a review of the sketchbook. Although I might, one day sometime soon. I'm going to show you some of the sketches in the sketchbook that I've done.

"Sphere In Red, Orange and Yellow"

"State of Mind"

"Nature In Orange"

"The Winds, The Land, The Sea"
I thought "Paradox" looked liked wind, "Diva Dance" looked like land, and the lower half of the zentangle pattern looked like water, thus the name.


"Zentangle: STEPH"

"Apple Still Life"
Done by layering an assortment of 16 colours in various ways onto the paper.


And here is the set of pens that I used for the above sketches. 16 colours. All of the same brand- uni-ball Signo DX 0.38. They are really good to use and lay down extremely well onto paper. I tried the 0.28 variant but felt that those scratched the paper a lot.

After a long hiatus, I'm trying to get back into the swing of posting on this blog more often. As always, if you'd like to be featured, or if you know an artist that has not been featured yet, Contact Me.

Leave me a comment in the comment section below telling me if you liked the sketches or not, and whether you'd like to see more of my works.

Friday, 8 March 2013

Perfect Use for Derwent Artist Coloured Pencils

  A few months back, I was on a Singapore website called; Gumtree. It's a site like e-bay, but instead of auctioning for an item, the seller puts a fixed price on an item(s) and if you want it, you contact the buyer. There are job offerings also, and advertisements for a variety of classes, but I mostly look for items to buy on it.

  As luck would have it, I stumbled upon a Derwent coloured pencil wooden box set. All 72 pencils in a beautiful wooden box, for $80. I managed to get the seller to bring the price down to $70, and the deal was made.

  Now, I'm a Prismacolor coloured pencil user. I've said that the quality of their pencils are dropping, and thus I am on the lookout for a new brand. When I first used the pencils, I thought they were really scratchy. I didn't like them, unfortunately. They were dry, and I had to use a lot of pressure to get good coverage. I thought that my dislike for them was probably due to the fact that I was so use to Prismacolor's waxy consistency, thus I set the pencils aside and gave it some time.

  A few weeks later, I buy new paper. Bristol board 160 gsm. It lays on better. Not as scratchy, but I'm still not sold on it. So I look for other Derwent products.  Derwent's website is wonderful. Well designed, well laid out. I look through the products page and find the Coloursoft pencils. They seem interesting  but I want to know whether the numbering system for the Studio's and Coloursoft is the same. So I write to Derwent using their Contact Us page. Quick, and easy.
Link: http://www.pencils.co.uk/


A representative for Derwent replies within a couple of hours. Her name's Vicky. She tells me that the numbering system are not the same and attaches the colour charts for both collections to her reply. I download both files.

  I've never looked at colour chart before, so there I am, sitting on my chair looking at a PDF file of the pencils wondering what all the numbers mean. I search online for a bit, and find out that the numbers represent lightfastness and they go from 1 to 8. 1 being, "you sucky pencil that'll screw my work over in a few months". And 8 being, "here's a gold star for you A-grade pencil. I commend you for being a hulk of a pencil".

  So I'm staring at my set of pencils with an upset face, because that's when I find out that Studio's are not lightfast. My heart shatters. I feel cheated. You.... Derwent... I trusted you and you betrayed me.

 But all is not lost! I sort the pencils out using the lightfast system. 1,2,3,4,5,6,7,8. There are lots of 4. With 1-3 and 5-8 being a similar amount. And being still upset, I look through the interweb for more information. I find out that some artist like Studio pencils for their hardness. They're good for drawing fur. Alright, I think to myself. I make a mental note to get around to drawing a portrait of one my cats.


  Then my mum comes into my room.

 "What's wrong, Dear?" she asks. My upset-ness must really show.

 "I feel so cheated," I reply.

  I explain to her what I've gathered.
 

  I ask Vicky why the Studio's lightfast rating are so poor when they're called fine arts pencils, and she replies that the lightfast ratings differ because of the ingredients used in the pencils. She assures me that if I kept my art work away from direct sunlight, behind a glass, the colours are unlikely to fade. "Even colours with low ratings are unlikely to fade unless exposed to hundreds of hours of direct sunlight," she says,

  It takes some time for me to get that information into my brain. I finally ask myself; "How is the lightfast system really made?"

  To read about my journey to getting a better understanding in lightfastness; click here.

  But sticking to the topic, we already know that Derwent Studios are good for architectural drawings (as said on the Derwent website) fine details like fur, feathers, but what use did I find in them?

  I found out that they are PERFECT to lay onto canvases. No, really. Because you can maintain a very sharp tip on the pencil, they can fill the valleys of a canvas perfectly. I did a bottom layer to map out the main colours, then I burnished using a brush. A layer using Prismacolor, then another burnishing using a brush. And voila. Perfect coverage. I blew up the picture of a butterfly's wing and drew that using squares. I liked how it turned out but felt it looked better turned 90 degrees to the left as seen in the picture below. It was a fun experimental piece and I already have ideas on projects to continue this series. I might try to draw more realistic subjects like flowers, or still life.

"Sunset Butterfly"
30cm by 30 cm (12" by 12")

  Also, the white in the Derwent Studio has a lightfast rating of 8, so you can do good design work on black paper using it. It's not as white as the Prismacolor, but it really helps with the fine details.


  Another artist did a review on the Artist collection, and talked about Studios for comparison:
Link: http://robs-art-supply-reviews.blogspot.sg/2010/03/derwent-artists-colored-pencils.html